This past Sunday I was invited to a concert featuring the music of Adavion Wayne, and I had to write something about this fabulous evening of great music and incomparable singing. In my time of living in NYC there are countless opportunities to witness great up and coming composers such as Scot Alan, Kerrigan and Loudermilk, Kooman & Dimond at venues like Don’t Tell Mama, Birdland and Don’t Tell Mama, but Palmer Memorial Episcopal Church was the place to be. This night of song was tied together by eloquent Spoken Word pieces by Khadijah Percy and Curry Goudeaux.
The talented cast consisted of Julian Jones, Kaci Timmons, Laura Patterson and Stephen Hudson. This 15 song set was easy on my musical palate and made me want another helping after the curtain call. As a vocalist and musical theatre performer I am amazed with other artists and their prowess when it comes to performance, and song interpretation. I was in awe with the texture and character of Kaci Timmons in her performance “Alone” and the classic placement in “Give Me Time.” Laura Patterson’s vocal delivery was by far one of my favorite of the evening. When singing looks and sounds effortless, this is a testament to great training. I was taken back to a young Audra McDonald and this made my creative heart smile. Laura Patterson is a vocalist that is sure to be a household name in the future. Another stand-out performance was that of Stephen Hudson. This vocal powerhouse made an entrance and I was in hook, line and sinker. In acting I tell my students that the character you developing needs to be multi-dimensional, we want to peel away the layers like an onion, and this is a mantra I use when coaching vocalists. From note to note Stephen’s nuance was spot on. The Act I closer “Ready to be Loved” was delivered with heart, soul and as we call it good ole flat-footed sangin! When a songwriter can make us laugh, think and cry they’ve done their job. In the song “Thrills and Train Wrecks, I laughed at this jovial musical comedy piece that should be in the audition rep of college students, and professional musical theatre performers. The song of the night was “Standing Still” which is the title song of the concert. This song which has an inspirational message lets us know that if we stand still we can have clarity, and understand what the future has for us.
In the world of auto-tunes, and over produced Billboard hits, the simplicity of song, lyric and voice has become antiquated and its songs such as “Standing Still,” and Adavion’s creative heart that tells the world that good music is here to stay. From beginning to end I was engaged and this evening of song brought me to think of Songs for a New World, one of my favorite songs cycles by Jason Robert Brown. A great writer/ composer knows his or her strengths but willing to take risks and write from a place a vulnerability and truth and Adavion Wayne has hit the nail on the head. I am Houston proud, and seeing a concert like this lets me know the art scene in Houston is on the brink of something unspeakable.
I know it’s been a while since I’ve written a blog, but I must say that my time at the theatre has brought about this rant. There’s no doubt that I’m a musical theatre lover and seeing Jeff Calhoun’s (Newsies, Bonnie & Clyde) production of Jekyll and Hyde made me proud to be a professional in the theatre as well as a patron of the arts. Based on the Robert Louis Stevenson novella Jekyll & Hyde was turned into a musical in the early 1990’s with a compelling book by Leslie Bricusse and a riveting score by Frank Wildhorn. Jekyll & Hyde was originally work-shopped at The Alley Theatre in Houston in 1990 and later opened on Broadway in April of 1997 running four years. When I heard there was a revival afoot, I was immediately drawn into the buzz. So to the twitter and Facebook timelines I…
The Eklektix Theatre’s Cast of MACBETH at their first table reading.
I never thought that a summer production of SPRING AWAKENING would turn into the springboard for rebooting my theatre company. There are times in your life when you just have to take a leap of faith, and I am thankful to God that he has been there with me every step of the way on my latest artistic endeavor. When I moved back to Texas from NYC I went through a bought of depression because I did not want to be back home, and I wanted to be back working in NYC, but because of 9-11 the circumstances were obvious and I had to come home. So I can home, gained a ton of weight and did not want to look into the theatre or step on a stage so I began to study for medical school. Can we say #EPICFAIL I have a love for medicine but I did not want to make a life career out of it. So I was just searching for purpose and I always knew that my TRUE purpose was in the theatre but since that was taken away from me I felt like I had no purpose. So the search began!
In 2004 started Towdah Fine Arts Academy and thought that teaching children was going to be where I found purpose, and I can say that I did find some artistic solace in teaching children, but I did not want to deal with the politics so I dissolved the school and began teaching private lessons. This was a humbling experience. I even got into Artist Management and stage show production. Along the way I met some great young artists such as Matt Bufton, Lance Skarke and Danny Armstrong of the pop group OTL, and the artist that I managed developed and groomed Jeff Slater and Nichole Cordova. I am truly proud to see how Nichole has grown into a talented independent young artist. I remember the days of running in high heels, and going back and forth to Houston to work with producers. But all of the work was well worth it. She was a lead contender and winner on the WB’s The Pussy Cat Dolls presents Girlicious. She’s had a longtime career in the music business and she is still on the rise. All the time still working in the arts I hadn’t found myself. In artist management 5 years was dedicated to other artists’ dreams and aspirations, I am not complaining by any means but I was not thinking about what I needed as an artist. I knew that it was time for me to get back to the theatre but I didn’t know if I was ready.
I had the opportunity to direct and choreographed the musical that brought me to the theatre. “Dreamgirls” was available for production royalty free and I knew that I had to go for it. So in 2007 I made my directorial/ performance debut in Texas in “Dreamgirls.” I had a great cast and we had a great time working on the production. Even the people at my church helped with production. It was this show that un-clogged my creative vein and the projects began to roll. Soon after I wrote the play “Hood Boy” adapted Confessions of a Preacher’s Wife into a musical and wrote the novel “Hood Boy Chronicles” based on the play. Things were coming up roses, but still felt a void. So after a few years of teaching at writer’s conferences, choreographing for dance/ drill teams and teaching here and there I began to think about what I started when I was in NYC. I also listened to a message that Joel Osteen preached about growing where you’re planted. That was it! DING!!! I had this crazy notion that theatre- or theatre as I know it was only in NYC. I know there were theatre companies in Houston but the artistic community in NYC was when I missed. I had to create that for myself. So in the summer of 2012 I set out to produce a production of SPRING AWAKENING and had no idea that I would find what I was looking for.
In producing SPRING AWAKENING I had a great opportunity to work with a cast of talented young musical theatre artists as well as an awesome creative staff. I knew that the energy some of the cast members gave off, this was a great time to bring my theatre company back. I’ve learned that yoking yourself creatively with people who support your vision is what it takes to bring a dream into reality. Last night’s table read of MACBETH was a moment that I missed when I worked in NYC. Seeing the members of the Acting Company greet one another as well as welcome the new members was surreal. There was no pretense; it was like a mini family reunion. I’ve learned that if you have something inside of you that dying to get out, LET IT OUT! Taking a leap of faith isn’t such a bad thing. I am excited about working with this zany group of Thespians and I am thankful for each and every one of them. I adopted a motto for the year and it is: If you want something you’ve never had; you gotta do something you’ve never done! Grow where you’re planted and look for people who believe in you and your vision, the possibilities are endless; take this from someone who’s living this right now!
I know it’s been a while since I’ve written a blog, but I must say that my time at the theatre has brought about this rant. There’s no doubt that I’m a musical theatre lover and seeing Jeff Calhoun’s (Newsies, Bonnie & Clyde) production of Jekyll and Hyde made me proud to be a professional in the theatre as well as a patron of the arts. Based on the Robert Louis Stevenson novella Jekyll & Hyde was turned into a musical in the early 1990’s with a compelling book by Leslie Bricusse and a riveting score by Frank Wildhorn. Jekyll & Hyde was originally work-shopped at The Alley Theatre in Houston in 1990 and later opened on Broadway in April of 1997 running four years.
When I heard there was a revival afoot, I was immediately drawn into the buzz. So to the twitter and Facebook timelines I went. As the other Jekkies out there we were awaiting the cast list and when I heard Constantine Maroulis and Deborah Cox was going to star in the show, I was in and immediately I drank the Kool-Aid. Many may know of the leading man as the sexy long haired-rocker on the fourth season of American Idol. Constantine Maroulis has taken the Broadway scene by storm. This BOCO musical theatre grad was last seen in The Toxic Avenger as well as his Tony nominated performance in Rock of Ages. Maroulis was to join vocal forces with the long acclaimed dance hall diva Deborah Cox. I’ve been a longtime fan of Deborah Cox. The R&B/ Pop-Dance chanteuse is a hot commodity since her entry into the music industry in the 1990’s. Some of Cox’s popular hits are “Sentimental”, Nobody Supposed to be Here” and my favorites “Same Script Different Cast” featuring Whitney Houston,” “Who Do you Love”, and “After The Morning After.” Cox is no stranger to the Great White Way, she was last seen in Elton John/ Tim Rice’s Aida. Once a background vocalist for Celine Dion, there was no denying that Cox’s voice was meant for center stage.
Me and Libby with Constantine!
So after months of anticipating the cast list, the show is rehearsed and here in Houston. I made sure I told my sister-friend Kim and her daughter Libby to get tickets to this show, because if it’s as good as the original it was going to touch them forever. My other sister-friend Brandie went a week prior to us along with her daughter and they enjoyed the show. After our fabulous dinner at Little Napoli, we were on our way to the Hobby Center. I have to say that I was as excited as a kid going to an amusement park. The orchestra began to tune up and I was putty from there on. Act I immediately set up the story as well as added the song “I Need To Know” which was taken out of the Broadway production. This song allowed us to understand Henry Jekyll’s passion for medical research and his plight to save his father who was suffering from mental illness. “Bring On the Men” is another song that was taken out of the Broadway production and it allowed us into the mysterious and dark back-alley world of Lucy and her hate for her profession. I looked at this production like my favorite CD. From scene to scene each song held your attention to the next. There is no doubt that Constantine Maroulis was born to play the roles of Dr. Henry Jekyll and Edward Hyde. One of the iconic songs from Act I is the decision power ballad “This is the Moment.” I think every tenor including myself has sung this song either at an audition, jury or recital, and Mr. Maroulis knocked this song out of the park. As Act I concluded Deborah Cox’s rendition of the classic musical theatre ballad made popular by Linda Eder shook the rafters in the Sarofim Hall in Houston, TX. Debora’s humongous belt and. placement aided in the vocal perfection in her delivery. After this ballad the litmus test was aced with flying colors. I must admit that Act I of many musicals usually run slow, but the pacing for this production was spot-on.
The intermission has passed and the orchestra is in place to take me on yet another theatrical journey that I wasn’t ready for. The murderous rampage of Edward Hyde is prevalent, but the love Emma has for Henry is deep and visceral. Emma played by Teal Wicks (Wicked, Stairway to Paradise) delivers nothing more than a classic yet guttural performance. In “Once Upon a Dream” the classical placement and demure delivery was as elegant as silk. The juxtaposed vocal styling of Wicks in this production will have the Tony Award committee on the edge of their seats, but as the characters love deepens the power in her voice stands alone. There’s no doubt that both Wicks and Cox were destined to play the roles of Emma and Lucy. In hearing their rendition of “In His Eyes” I found myself being pulled out of my seat from the magnetic commitment and power in the vocal delivery and commitment. Both women in love with the same man having their different reasons pour their heart into a ballad that is none other than Broadway at its best.
Deborah Cox (Lucy) and Ensemble in “Bring on the Men”
Now in the middle of Act II, I had a slight grin on my face because I knew that my theatrical spirit was pleased, but as a theatre professional watching this piece I felt a sense of pride to know that I am a part of a community that commits to bringing great entertainment to the people. Seeing each performer live out their dream on stage was emotional. I was sitting next to a young lady that hopes to be on Broadway one day and I pray that by her seeing these performers live their life out on stage will help her as she commits her life to the theatre. Now back to the show! “A Dangerous Game” is one of those numbers that you watch and feel as if you’re watching something intimate through someone’s window. The head-bopping hip-hop groove under the Wildhorn classic song totally brings you into the dark, sinister sado-masochistic relationship between Hyde and Lucy. For those who don’t know the story I will not spoil it for you. As the show ended the 11-o’clock number “A New Life” was the nail in the proverbial coffin for me. Debora Cox SANG HER FACE OFF in this number. I truly had a “Come to Jesus” moment, and shouted “You Betta Sang Girl” at the end of the number.
Debora Cox as Lucy and Constantine Maroulis as Dr. Henry Jekyll/ Edward Hyde
As you can tell from my lengthy rant, I was thoroughly pleased with the revival of Jekyll and Hyde with Constantine Maroulis and Deborah Cox. I believe that the theatre is supposed to reflect where we are in our world socially, artistically as well as musically. There was a blend of classic Broadway, rock and R&B in this production, and I can respect the mash-up of styles. Maroulis’ and Cox’s riffs and runs emotionally added a nuance to their songs. Some musical theatre purist won’t get it, and will not be able to wrap their heads around the re-birth of this adaptation, but we all have our opinions and you know how I feel about opinions! I want to applaud Jeff Calhoun and his creative team for reviving this theatrical masterpiece. I hope that you make your The Great White Way this Spring/ Summer to see this limited engagement. I promise that you will come out humming the melodies and you will join the long time lineage of Jekkies! So was this a hit? HELL YES! See you at the theatre!
It began as an idea to get the Alumni members of The Mam’Selles and The Cougarettes to honor Barbara Jean Crow and from that idea it exploded. The Cheerleaders and Band alums got together and we showed up and showed out at last years homecoming game. It was packed with energy and that Cougar Pride that seems to have been void in La Marque sparked a movement.
There’s no explaining the explosive energy that came from Etheredge Stadium that night last year. The stands were packed and the Cougar Pride was on LOCK! So here we are a year later and the buzz from last year is still the topic of many conversations as well as Facebook and twitter updates. The time is here to get those blue and gold pom-pons out and show these young ones how we shake it down to the ground! There has been a great response from classes all the way from the mid to early 80’s to 2010, and the numbers are continuing to grow! This is an event that’s open to ALL classes and we want everyone to come out and have a great time.
When a cougar calls out, the pack responds! I am elated to see how many people are supportive of the endeavor that began as an idea and to see how it has blossomed. There has been nothing but positive feedback and of course opinions, (that called in my possible wearing a hot pink bikini and yellow bow-tie) but that shows love for your class and of course love for your school. With the grand response we have elected representative to keep you abreast on all of the particulars of the events. When doing an event like this communication is key, and we have lucky to have social networking to keep us connected. Representatives from the following classes have more detailed information for the events as well as how to purchase a commemorative Homecoming T-shirt designed by Lloyd Sowell of Ideal Designz.
Listed below are the Class Reps.
1984 – Carmen Cisneros
1986 – Frank Davis
1989 – Charles Brooks, Charles Brooks Sr.
1990 – Stacie Cunningham
1991 – Corinthia Williams
1992 – Delon Turner-Salas
1993 – Mona Robinson
1994 – Jerronda Harrison-Taylor
1995 – RosalanLady Griffin
1996 – Roshunda Cotton
1997 – Bryan-Keyth Wilson
1998 – Tiffany Nellums
1999 – Detrick Harper
2001 – Keneshe Butler
2002 – Denesha Watkins-Saldana
2007 – Brittney Biaga
We want as many participants as possible, so please tell your classmates about the event and feel free to tag this blog on your timeline. Get on Twitter as well as Facebook and tag the event. For those alumni members of The Mam’Selles, Cougarettes, Cheer Team, Band and other auxiliaries please contact me for more information on how to participate. The band alumni will have practice this Saturday. Mam’Selles/ Cougarettes and Cheerleaders will have practice on Sunday September 9, 2012 at:
Center Stage Dance Studio
2047 W. Main St.
Suite A-8
League City, TX 77573
Along with the Homecoming game participation in the Homecoming parade is an option. If you or your class wants to enter a float please contact your class rep for more information. We wanted to use the float contest as a fundraiser for the La Marque ISD Education Foundation. This is the beginning for us to give back to our alma mater. We know the negative stigma that has plagued our community and school. I’m not living in the area as many of my other Cougar Alums but we have to be proactive in any way possible to re-build our community and help to bring back the positive energy that came with being a COUGAR! It is evident that the cougar pride runs deep; it is a personal commitment. It is an attitude which separates excellence from mediocrity.
So get ready for September 28th 2012 at Etheredge Stadium because the Alums are in town are we are ready to show you what that Cougar Pride Is About! It NEVER DIES!
This even is organized by Michelle Veasey-Shankle and Bryan-Keyth Wilson and if you have any questions please contact your class rep, and if one isn’t listed please e-mail me at LiteraryPrince@gmail.com.
Footage From LM Homecoming 2011
We cannot always build the future for our youth, but we can build our youth for the future. ~Franklin Delano Roosevelt
Our day out with Trudy at Serendipity Restaurant. l to r (Mia, Me, Trudy and Erika)
Ok, today began the best birthday week ever! My day started with a nice trek through the East Village aka my old stomping grounds and mini shopping excursion on 5th Avenue with my girls. Once we finished our retail therapy we walked over to Serendipity for a lunch meeting with Trudy Williams. You may ask yourself who is Trudy Williams! Well she is the coolest white girl from Brooklyn that loves Wiz Khalifa and here’s the rub; she is the sister of John-Michael Tebelak. Tebelak was the creator of the groundbreaking musical Godspell. I talked with her about her brothers initial vision and she told us crazy stories with lawyers and producers on their road to Broadway. Trudy was a joy and delight to meet. Her tenacious whit and loving enthusiasm was just as bright as her wonderful smile. I am so thankful to Erika, Kara and Mia for inviting me out to this meeting. I talked to Trudy about our production of Godspell Jr. and the creative process used when trying to mount the production at BATAVA. As many know her brother did not see the success of what was initially was his thesis when he attended Carnegie Melon. The more we talked about him and his work the more emotional we all became. So after the tears were shed and a Frozen Hott Chocolate we began to smile knowing that as long as there are theatres there will always is a home for Godspell.
Libby, Richard Fleeshman (Sam Wheat) and Me after the show.
Now the night couldn’t get any better. I saw Ghost the musical, and it was awesome. Now there were some negative reviews and people I hope that you do not base your theatrical experience merely on reviews because this show was great. Caissie Levy’s performance was beautiful and captivating from the first note that came out of her mouth. Usually the first act of many shows drag due to establishing character and story, and it can get a bit boring. There was not a dull moment. The bits and pieces of The Righteous Brothers classic “Unchained Melody” made me tear up every time. I know that many of you are familiar with the movie and I remember going see this movie as a child and it is one of my all time favorite movies. Richard Fleeshman’s performance was delicate, humorous and touching. His leading man good-looks were befitting to the character that Patrick Swayze originated. The villainous character Carl Bruner played by Bryce Pinkham was right on point. Now these great actors held their own no doubt but there was Da’Vine intervention. Broadway will never be the same because this diva is a class-act. The sincerity in her commitment to the Character Oda Mae Brown; Tony Award Nominee DaVine Joy Randolph had me laughing so hard tears began to fall. Her comedic timing was right on point. Every time she stepped on stage the energy and presence was magnetic, she commanded the stage. “She filled the stage with her presence. She owned it, you cound’t wait for her character to come back on stage,” said Kim Hart. Da’Vine gave a Tony worthy performance! The acting choices made by these actors were brilliant. It was a breath taking rendition on a classic story. The movie delivered great performances by Demi Moore, Patrick Swayze and Whoopi Goldberg, and I have to say the Broadway production matched it.
Me talking to Caissie Levy (Molly Jensen)
There were many numbers that sold me, “Unchained Melody” “More” “Are You a Believer” the Act I closer “Suspend My Disbelief/ I Had a Life” and “I’m Outta Here.” I loved that Caisse kept her blonde locks and the producers did not make her look like Demi Moore. There were no imitations of the movie and I appreciate that! I didn’t know what to expect as I walked into the theatre because the screen to stage transition is a hit or miss, but I can tell you this was a HIT. Oh and I can’t forget Mr. Lance Roberts who played the Hospital Ghost who had a show stopping song titled “You Gotta Let Go” and I was in from the first note and his Fosse-esque movement made the choreographer in me smile! So my sweet Theatre-babies I would highly encourage you to see this show! If you have not seen this show get your tickets now. I read a few blogs on this show and I have to end with this quote, “Overall, this show is a must-see for all Broadway lovers! The music and songs are so beautiful. The performers are all amazing. The stage and special effects are far beyond what any show has done before! I recommend this show.” And on all I can say is DITTO!
Libby, Bryce Pinkham (Carl Bruner) and me after the show.
Libby, Lance Roberts (Hospital Ghost) and me after the show
The Boys of “Spring Awakening” during “Bitch of Living”
The costumes are in the cleaners and the set and props are put away with the exception of Moritz’s coffin which is still in my dance studio. The reviews are in and I must say that I am a proud director/ producer. The Eklektix Theatre’s production of SPRING AWAKENING ran from July 6-8th to a packed house every night at San Jacinto Community College Black Box. Going into the production process I knew this was going to be a major undertaking but you are only as strong as the team of people you have around you. My creative vision was fulfilled with the talented musicianship of Benjamin Luss and Relana Gerami and my edgy/ quirkiness was exemplified by my soul –sistahs BRIM aka Brandie Frye and Kim Hart. This was a great way to start a theatre season.
As the hours approached for opening night I was numb. No matter how confident you are about a piece you work on, it doesn’t have validity until the people speak on it. Yes we are to create art because it is in us to do, but it doesn’t become cathartic until the people speak. I sat in the audience trying to watch the artistry of the actors but I was drawn to the reactions of the audience. SPRING AWAKENING is one of those shows that you can do extremely well or extremely horrid. There is no middle ground with this piece of theatre. Once we got past the masturbation scene in “My Junk” I could sit back and relax. From the reaction from one of the cast member’s grandmother I knew this was going to be a great run. I watched this lady chuckle at the character Jason Broussard who played Hanschen as “did his business” in he scene. Approaching this piece I wanted to stage every squeamish moment with delicacy and truth; and from the reactions of the patrons this was achieved.
John Forgy (Ernst) and Jason Broussard (Hanschen) in “Word of Your Body” (Reprise)
During production week we had a running bet with BRIM and other creatives as to how many people were going to walk out after intermission. Well every night we all were astonished. No one walked out! I was a nosey director and made my way through the audience to hear their comments. Yeah I know it’s nosey, but hell you wanna know what the people are saying. So as we concluded an awesome opening night I did a walk through of the theatre to make sure all was put away, and there was a gentleman sitting in the audience with white hair and a name badge on. I got a but scared because I thought this was someone’s grandfather and he was pissed at the content that we presented on the stage. So I asked the gentleman did he enjoy the show. He immediately said, “no!” I nearly pee’d my pants! Kim grabbed on to my shirt and I felt as if I my feet were stuck in dried cement. Then he continued to say that he witnessed “Pure Magic”. I had to fight back the tears but it felt so good to hear someone who actually gets your creative and artistic vision. This gentleman we learned was Phil Fisher, a renowned actor and educator in the Houston area. So as we talked about this over dinner I felt at ease. It was confirmation and it was time to step out on faith to start The Eklektix Theatre Company. Producing theatre on all levels is a mighty feat financially, but I know that this is the direction the creative spirits are leading me.
I began this theatre company in NYC in 2001 and I was not able to truly establish the company due to 9/11. I believe that it’s all in the timing and the time is now for The Eklektix Theatre Company. I want to personally thank everyone that bought a ticket as well as everyone that aided in brining my creative vision to the stage. As I always say the best is yet to come because The Eklektix Theatre Company is here ready to serve you theatre from the soul!
Here’s What People are saying about The Eklektix Theatre’s SPRING AWAKENING
“Absolutely wonderful….freaky in some parts for a MOM to watch, but I loved it.” Wendy Duke Lambright
Kyle Crawford (Georg) and Robbyn Mathews (Adult Women)
“The show was AMAZING! Great job!” Rachel Gehman
”Loved the show tonight!! I had a prime viewing spot for all the action! The acting performances were powerful and the singing was outstanding. So glad I for to see it!” Pearl Hewitt
“Really really loved the show last night! These kids are fabulous and the direction and staging was just excellent. What an experience to see this! Congratulations to all of you on this production! You should all be very proud of the work you are doing and the message you are getting out there.” Leslie McKeough Barham
Robbyn Mathews (Adult Women), Sean Jackson (Melchior) and Ty Duke (Adult Men) in “Totally Fucked”
“Great job, Spring Awakening cast and crew!!! Loved seeing the show last night, keep up the good work, I hope you have a fabulous run!” Whitney Wyatt Nolder
“Seeing and listening to SPRING AWAKENING Friday night turned out to be one of the most “WOW!” theatre experiences of my life. I am 71+. The ensemble-guided by an obviously gifted artistic staff-is one of the most disciplined and truthful set of actors I have ever seen in my 50 years involved in professional and educational theatre. Truly amazing is how the company moves within the confines of a black box theatre, and creates a sweeping epic feeling of Time and Place. Curiously, a young woman sitting in front of me [next to a tall-dark-and handsome-and strong-looking fella] would do what scary movies prompt people to do: close her eyes/look away/cling to her date. Except she did that during scenes of sexuality and intimacy between actors of the same-sex or different sex or even as some of the characters discover their sexual options with themselves! I mean, it’s coming of age [pun intended] She seemed to have no problem watching characters get beat up, but seemed “embarrassed” or ill at ease when human beings showed and showered tenderness upon a mate or themselves. Heck, there is much yet for me to “understand” about the themes or messages or points about SPRING AWAKENING beyond the obvious ones on the “surface.” At the “curtain” call, the audience was giving a standing ovation even before the lights came back up…..With so few seats in the “small” theatre [about 100 seats I’m guessing], it is almost a theatrical “sin” to miss this production playing through Sunday. I plan to see the show once more, but If I get a seat and a theatre-goer just misses getting a seat when I’m there, I will give up my seat for such a person. I mean, I want seconds…but I will not take seconds if someone is deprived of getting firsts. love to all.
The Girls in “Mama Who Bore Me” (Reprise)
First time in my alert years of life I felt a piercing anger to see a theatrical production close. Those who understand [and even know] what it takes to build a production which reaches a level of such “stunningness” when it met its first audience {and continue that “stunningness” in succeeding performances} might identify with my anger. It is an anger an architect might feel after witnessing a beautiful and unique building which was built for the eyes of those few who might get to see it—because on the 3rd day of its opening, the building is destroyed… Sure, there will be lasting memories for some—and photos will have been taken of that building… but thousands of people will have been cheated out of seeing the building “live.” Such a building should be allowed to stand for many decades. And such a production created by the SPRING AWAKENING Company should-by some means-be allowed to run for many performances. My brain/mind certainly is not FILLED with anger in general, but I have reserved a corner of my brain to allow such anger fit in. The irony is that I do not have a headache. What I DO have is heartache.” Phil Fisher
As you know this time of the year is one of my favorite. For those that don’t know I will tell you. IT’S TONY AWARD time. I am so excited because this is one of the few nights the American Theatre has on public television. Unless you watch SMASH! But anyway I am excited about this year as well as my colleagues in the theatre industry. Mind you, this is not glorified like mainstream award season. My eyes will be on Tony all day! I will not answer any phone calls or send out any messages unless they have something to do with the Tony’s. Yes! A Theatre Freak I am! But for those that are taking the time to read this blog and have no idea what the Tony’s are let me tell you!
Born in Denver, Colorado, she spent her childhood aspiring to replicate the thespian artistry of her aunt and uncle, both of whom were well-respected touring actors. She appeared opposite David Warfield in Music Master in 1906 when she was only eighteen years old. Her career was on the rise, yet she left the stage a star in 1909, to marry Denver businessman Frank W. Frueauff and start a family. Years later, her daughters would follow in her footsteps, likewise pursuing careers in the theatre, Elaine as a producer and Margaret as a stage manager.
Following Frank Frueauff’s death in 1922, Perry returned to the stage, appearing notably in Kaufman & Ferber’sMinick. She took up directing in 1928. In partnership with Brock Pemberton she produced several successful plays, including: Divorce Me Dear, Ceiling Zero, Red Harvest, Strictly Dishonorable, Personal Appearance (Lawrence Riley‘s breakthrough hit), and Kiss the Boys Goodbye. Their most famous production was probably the Pulitzer Prize-winning Mary Chase classic Harvey, which enjoyed enormous success on Broadway and lasting success as a film, both starring James Stewart. Perry died from a heart attack during the play’s lengthy Broadway run on June 28, 1946, one day after her 58th birthday.
Perry helped found, and was chairwoman of the board and secretary of, the American Theatre Wing, which operated the Stage Door Canteens during World War II, providing entertainment to servicemen in several American cities. After her death, her friends and colleagues took action to memorialize her contribution to the high standards of American theatre. Brock Pemberton suggested that the American Theatre Wing create a series of awards to be given in her honor. Since 1947, the Antoinette Perry Awards have been given annually for distinguished achievement in theatre, and are one of the theatre world’s most coveted honors. They are universally known by their nickname, the Tony Awards.
In 2011 Perry was featured as a historical figure when The Neo-Futurists devised a show about the longest-running failure in Broadway history, J. Frank Davis’ THE LADDER. The Neo-Futurist show was called Chalk & Saltwater: The Ladder Project. Chalk & Saltwater explored the individuals involved in the failed show (this included Edgar B. Davis, the play’s backer and “angel”, Brock and Murdock Pemberton, J. Frank Davis, and of course Antoinette) and their lives before and after THE LADDER’s 789 performance run. Perry was a member of the original cast of THE LADDER, but left the production prior to its close.
Now for those that know about the awards and are avid lovers of Broadway History I want you to enter our So You Think You Know Tony…
It’s plain and simple! All you have to do is visit the http://www.tonyawards.com/en_US/nominees/index.html and submit your prospected list of winners for the 2012 Tony’s. Now it would not be a contest if there were no prize! The winner of the SO YOU THINK YOU KNOW TONY contest will receive 2 tickets to The Eklektix Theatre’s production of “Spring Awakening” the musical. Please submit your prospected winners list to EklektixTheatreCo@gmail.com by Sunday at 2pm CST. Now go get to looking at the nominees on youtube. Luck Be A Lady!
I told the cast in rehearsal I was completely anti-Spring Awakening. I lived in New York when the buzz began to surround the Broadway Production and had my creative walls up from the start. I have never seen the production but heard all of the reviews. I stayed away from the show, because I felt that the Rock-Musical wheel had been reinvented with shows such as Aida and Rent. Has that philosophy changed! I am obsessed with this show, the music and the text. I must say that Spring Awakening is a powerful piece of theatre that uses the theatre for social change. I am proud to say that my theatre company is producing this gem of American Musical Theatre. Before I moved back to Texas I formed The Eklektix Theatre Company in the East Village of NYC. I wanted to have a forum to showcase my original works as well as produce thought-provoking pieces of theatre that brought about change in the world. So here we are nine years later in the Houston/ Bay Area producing Spring Awakening. Talk about a full circle moment.
Bryan-Keyth Wilson (Director/ Choreographer), Relana Gerami (Music Director) and Chip Vangundy (Georg) and Benjamin Luss (Music Director) in back at piano at first rehearsal
On May 13, 2012 a group of talented young men and women met at The Bay Area Theatre & Voice Academy campus to begin a creative journey that will be none like any other. Rehearsal started with introductions and I asked each company member what drew them to the show. I was so glad that the obvious answers weren’t given. Everyone loved the relevancy of the story. Originally a play by German playwright Frank Wedekind written in 1891 titled Frühlings Erwachen; the play was banned due to the graphic content. Spring Awakening explored teenage suicide, sexuality, molestation, sadomasochism, homosexuality and masturbation. Wedekind’s play brought taboo issues to the stage and this was not acceptable in 19th Century German at the time. Now 121 years later the poignant story has relevancy and world-wide acceptance. The winner of 8 Tony Awards, including Best Musical – told by Duncan Sheik and Steven Sater through “the most gorgeous Broadway score this decade” (Entertainment Weekly) – Spring Awakening explores the journey from adolescence to adulthood with poignancy and passion you will never forget. The landmark musical Spring Awakening is an electrifying fusion of morality, sexuality and rock & roll that is exhilarating audiences across the nation like no other musical in years. Spring Awakening has moved audiences since its musical debut, and now we get to bring our rendition of the cult-classic to the Houston stage.
Sarah Patterson (Ilse), Zachary Scott (Moritz) and Sean Jackson (Melchior) at first rehearsal.
I have worked with talented artists and this is one of the most talented groups of young artists I have worked with. From the table read I knew this rehearsal process is going to be a creative playground. We are joined by Robbyn Mathews who’s played on Broadway in such productions of Through the Eyes of a Black Woman and Diary of a Black Man, so I must say I am in great company! This summer is packed with theatre and you must get your ticket to Spring Awakening (Houston). Our talented cast includes: Sean Jackson (Melchior), Devin Ashley Whitten (Wendla), Zachary Smith (Moritz), Kayla Fore (Martha), Sarah Patterson (Ilse), Mellissa Brown (Thea), Sheila Cox (Anna), Caitlin Duckworth (Female Ensemble) Brian Kay (Otto), Jason Broussard (Hanschen), Chip Vangundy (Georg), John Forgy (Ernst), Kyle Crawford (Male Ensemble), Tommy Torres (Male Ensemble), Jason Swafford (Adult Male) and Robbn Mathews (Adult Female). Directed and choreographed by yours truly with music direction by Benjamin Luss and Relana Gerami, costumes and Hair by BRIM Unlimited aka Brandie Frye and Kim Hart.
Tommy Torres (Ensemble), Jason Broussard (Hanschen), John Forgy (Ernst)
We want to invite fellow Houston area bloggers, writers, photo-journalist and reporters to our Press Rehearsal on Sunday May 27, 2012 at 5pm at Bay Area Theatre & Voice Academy. We are also looking for theatre patrons to help us bring this powerful piece of theatre to the stage. Those interested in making donations please e-mail me at EklektixTheatreCo@gmail.com I am excited about this show as well as growing where I am planted. My awakening has begun with this production and I look forward to the creative journey ahead. I hope that you all enjoy your summer and take time to support the Houston/ Bay Area Theatre community! See you at the Theatre!
Since the days of the Kid n’ Play high-top fade, gumby, ramp cut with ducktail to the comb through texturizers and dred locks my hair has seen its share of styles. As I enter into my thirties I can say that I am happily nappy! From the terms of “good and bad hair” to “you must be mixed or have Indian in your family” the African-American culture has been held captive to what main stream America deemed beautiful. I would be lying to you if I would stand here and say that I was not victim to the hype, but I am here to tell you that I have embraced my natural coils and there are so many products that one can use male or female to maintain a natural look curly look using natural products. I have never done a product review but this is my first time so pray for me.
This past week I have been a product junkie. Almost every product that’s on the market I have bought, and I am looking for more to add to my regime. So I was on youtube and Marquise0907 aka NATURALLY MARQ’s videos made me think more about my hair and going back natural. When I lived in NYC I began to embrace myself and my culture and I grew the largest afro in Manhattan, but when I moved back to Texas I got many looks and I decided to chop it short and get dreds. So, in watching Marq’s videos I learned so many little tricks and I had no idea there was a large sub-culture of “naturals” aka people who let their hair grow naturally and use natural products. So here is what I learned and the products I have bought thus far on my happily nappy journey! Marquise0907
WTH is a Co-Wash?
When I first heard this term I thought they were saying COLD-wash! So I thought using cold water in your regular hair cleansing method was the way to go but I WAS SO WRONG! Co Washing is also known as conditioner washing, co-washing is no-shampoo method of cleansing your hair. Conventional shampoos can cause natural hair to become dry, unmanageable and frizzy. Washing your hair with a good rinse-out conditioner can keep your waves, kinks and curls moisturized and healthy.
Product Review
So if you know me personally you know that I am all about healthy skin and healthy hair. It’s a vain Leo thing I guess. So once I made the choice to go natural I began to look for the popular products.
Shea Moisture's Curl Enhancing Smoothie
Shea Moisture Products
I came across Toliahli’s youtube channel and she used the Shea Moisture Curl Enhancing Smoothie in her finger coil tutorial and so I decided to go to Target and get some. The Curl Enhancing Smoothie feels great to touch it has the consistency of a body butter and has a great aroma. I purchased the Curl & Style Milk and Hold & Shine Moisture Mist. The Style milk feels great to the touch it does not have a greasy residue and has the consistency of body lotion, but I have to say the Shine and Moisture Mist is a BUST! I might as well spray water on my hair. There was no evident texture change and it absorbed fast into the hair. I think for my hair texture this would be a great conditioning regiment as well as used for when my hair is gets longer. Currently my hair is about 2.5 inches long. So I give the Shea Moisture products a A- I do plan to get the Hair Masque and other conditioning products.
Motions Naturally You Curl Defining Creme
Motions- Naturally You
So I was in Wal-Greens about a week ago and being the product junkie that I am I decided to go look and see what they had for natural hair. Then I stumbled upon this nectar from the gods! It is the Define My curls Crème. I LOVE THIS PRODUCT!!! Since my hair is short and I Wash N Go I wanted a product that dried quickly and was going to add shine and moisture to my hair follicle and scalp. Well this one did it for me. If you have short hair and want a product that will turn your TWA (Teenie Weenie Afro) into a crown of curls then this is the product. Don’t be fooled by the way it looks in the jar. A little goes a long way. It has glue like consistency but once worked into the hair the magic happens children. GO GET THIS STUFF NOW!!! Kinky-Curly
Need I say anymore? After watching numerous videos on this product my girl CoilsKinksCurls youtube videos turned me into a believer. When I was at Target I saw this line but looked over it. Today I Co-washed my hair twice and used my Cantu Leave-In Shea Butter Conditioner with the Kinky-Curly Knot Today Leave-In Conditioner/ Detangler and used the Kinky-Curly Curling Custard to style my hair. I was a little grossed out because the Curling Custard has the consistency of snot, but this product worked well in the hair. A little goes a long way. It is a bit expensive but worth every penny. It does take time to dry, but once it has dried there is not oily residue. Remember this product is a gel and must be used on top of a conditioner to avoid crunchy hair. It will shrink you TWA but it will enhance your natural curl pattern.
My natural curls using Motions Curl Defining Creme April 5, 2012
We all have different types of hair and there are so many videos and blogs that tell you to use this regiment and this or that product. I encourage you to go out there with an open mind and let your hair tell you what it likes. The more natural ingredients in the product the better results in hair growth and durability. I am truly excited about my natural journey to nappy-land and I hope that you will take the journey with me. I am so excited that I encouraged my mother and she is doing the same thing as well. I am ready to take my place among the naturals and learn more from the community. I am excited and I hope this blog was somewhat helpful. Until then!
This past Sunday I was invited to a concert featuring the music of Adavion Wayne, and I had to write something about this fabulous evening of great music and incomparable singing. In my time of living in NYC there are countless opportunities to witness great up and coming composers such as Scot Alan, Kerrigan and Loudermilk, Kooman & Dimond at venues like Don’t Tell Mama, Birdland and Don’t Tell Mama, but Palmer Memorial Episcopal Church was the place to be. This night of song was tied together by eloquent Spoken Word pieces by Khadijah Percy and Curry Goudeaux.
Rants from The Literary Prince 